CK Retro Review: Mutineer by Warren ZevonPosted: May 21, 2015
1995’s Mutineer is a fascinating entry in the Warren Zevon catalog. It’s a series of mostly slower, often contemplative songs. Zevon dials back the wisecracking (for the most part) and gets to the heart of the matter, emphasis on heart. He also takes some interesting musical risks, and though they don’t all pay off, the ones that do are revelatory. Some pedestrian rockers that are haphazardly thrown in really only break the spell; this one is at its best when it’s at its dreamiest. Here is a song-by-song review.
10. “Rottweiler Blues”- The author Carl Hiassen helps out with the lyrics here about a particularly ferocious guard dog and his ornery owner. Too bad nobody bothered to do much with the squawking rock arrangement.
9. “Seminole Bingo”- The other song co-written with Hiassen takes place in the author’s Florida haunts, depicting a scam artist on the run from the SEC. The story never really ignites, although Zevon gets in some ferocious guitar licks toward the end.
8. “Piano Fighter”- In typically idiosyncratic Zevonian fashion, this tale of a have-piano, will-travel outlaw features very little ivory-tickling. In fact, the production gets a bit too wild for its own good. But I do love the idea of Zevon as a musical gunfighter.
7. “Something Bad Happened To A Clown”- Zevon once sang of a “running-down calliope”, which is a good approximation of the sound of this oddity. Bruce Hornsby chips in with an evocative accordion part. Zevon’s lyrics don’t really go much further than the old tears-of-a-clown cliche, but the off-kilter mood is sustained quite well.
6. “Poisonous Lookalike”- A rather rancorous dressing down of a deceptive lover, this one possesses enough minor-key potency to get by all right. In a similar vein as Springsteen’s “Brilliant Disguise” but with a bit more bile.
5. “Similar To Rain”- Zevon cops a Brian Wilson Smile vibe here, with dissonant sounds fluttering at the edges of an ethereal musical landscape. The lyrics are a bit of an afterthought; just drift along with the strangely stirring music and you’ll do fine.
4. “Monkey Wash Donkey Rinse”- This one has the same stately, medieval feel as “The Indifference Of Heaven.” Zevon seems to be targeting the kind of lifeless gatherings of the affluent that he’s nailed before. This one is best enjoyed for its sprightly melody and the fun refrain.
3. “Jesus Was A Crossmaker”- Judee Sill, like Zevon, came from the Laurel Canyon scene in the late 60’s and the early 70’s and was one of David Geffen’s first discoveries. Unfortunately, her career sputtered and she died at age 35 in 1979. Zevon does her wonderful tribute with this elegiac version of her first single. Hornsby’s accordion bed breaks all falls, and Warren does the sweet but sad melody tender justice.
2. “Mutineer”- Zevon performed this in unforgettable fashion in his last appearance on David Letterman before his death, and anyone who saw that could tell that this was a personal song for him. The hazy synths conjure a nautical feel, albeit with a touch of melancholy. His wistful lyrics admit to his rebellious tendencies but also project heaping helpings of vulnerability. Bring your hankie.
1. “The Indifference Of Heaven”- It’s all well and good to look at the bright side, but sometimes a dose of dour reality is necessary. The narrator, a down on his luck yet poetic convenience store worker, takes umbrage here with both God and the Boss, an empty horizon yawning in front of him. And yet a kind of grace is bestowed upon him by the acoustic sheen of the music and Peter Asher’s benevolent harmonies. What a wonderful juxtaposition of lyrical theme and musical tone.
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