CK Retro Review: My Ride’s Here by Warren ZevonPosted: August 25, 2015
Following 2000’s reflective Life’ll Kill Ya, Warren Zevon returned to a more rocking mode with 2002’s My Ride’s Here. The former is more compelling; not that Zevon can’t rock convincingly, but the songs on the latter album, for the most part, are either too musically simplistic or too lyrically burdensome. And all of the co-writers prove that Zevon might have been better off going it alone. Still, there are three standouts here that can easily slide into any best-of mix CD of the man you might care to make. Here is a song-by-song review.
10. “You’re A Whole Different Person When You’re Scared”- What should have been a monumental mind meld between Zevon and Hunter S. Thompson turns out to be anticlimactic, in part because Zevon forgot to write a melody, in part because the lyrics are kind of blah for two such distinctive writers.
9. “Laissez-Moi Tranquille”- Serge Gainsbourg’s original was like a rock tango. Zevon keeps the cowbell but otherwise turns it into more of a grinder, which saps the fun out of it. Not what you expect him to cover, but when did he ever do what was expected?
8. “MacGillycuddy’s Reeks”- Zevon always case his net far and wide outside the rock world for collaborators. The Irish poet Paul Muldoon joins him here for an energetic jig about romance, sickness, and financial concerns. It’s maybe a smidge too idiosyncratic, although the lines “I was a thorn/Still trying to find a side” are keepers.
7. “I Have To Leave”- Written by a buddy of Zevon’s (Dan McFarland), this mid-tempo number isn’t a classic but it elicits one of the most animated vocals on the album, in part because it possesses more melodic range than just about anything else here.
6. “Sacrificial Lambs”- Co-writing with Larry Klein, Zevon starts the album off on a particularly caustic note, tearing off some mean guitar licks to go with his unforgiving observations on the connection between money and religion. He seems to veer off the rail as the song rolls on, name-dropping Russell Crowe and Saddam Hussein, but what the hey? It’s all in good, dirty fun.
5. “Basket Case”- Warren hooks up with the “friskiest psycho” and eventually takes her place at the funny farm. If nothing else, it’s a good excuse for some solid one-liners from Zevon and old buddy Carl Hiassen, and it crunches along pretty effectively.
4. “Lord Byron’s Luggage”- Byron doesn’t stick around past the first verse’s musings on his bathing habits, and this second Irish-tinged tune on the album turns out to be the songwriter’s confessional. A grabby, slightly melancholy chorus centers the wandering verses of this song, the only one on the album written solely by Zevon.
3. “Hit Somebody! (The Hockey Song)”- As someone who wouldn’t watch hockey if they were playing the Stanley Cup across the street and changes the channel immediately when I see Mitch Albom’s face, I have to say that was a pleasant surprise. David Letterman’s hilarious recitation of the refrain helps to balance out the Hollywood sports movie turns of Albom’s storyline, and Letterman’s backing band does the song proud. Zevon’s just along to steer the zamboni on this winning novelty.
2. “My Ride’s Here”- Muldoon’s second contribution is a winner, delivered by Zevon with just the right mix of humor and heart. The galloping arrangement probably robs it of some of its pathos, and maybe that’s what Zevon wanted. Still, Bruce Springsteen’s slowed-down, mournful live version played in honor of Warren after his death seems definitive to me; The Boss makes even the Pinto sound elegiac somehow.
1. “Genius”- While it’s impossible to say what the division of power on this song was, it seems likely that Larry Klein handled the interestingly exotic instrumental backing and left the lyrics to Zevon. The Auto-Tune-like effect on his vocals is just right for the eloquently twisted narrative (or twistedly eloquent perhaps.) At its heart it’s a basic you-done-me-wrong song, but Zevon’s tangents are the fun part. Einstein, Mata Hari, and Charlie Sheen all make striking appearances, but none of them can draw our attention away from our narrator’s hypnotically deft wordplay. Genius, indeed.
(E-mail me at email@example.com or follow me on Twitter @JimBeviglia. My new book, Counting Down The Rolling Stones, comes out in November. Pre-order on the link below.)