CK Retro Review: London Town by WingsPosted: October 20, 2016
As a general rule, when Paul McCartney was forced to take most of the burden on himself the create a Wings record, the resulting record turned out to be better than the group’s more democratic efforts. Much like Band On The Run, 1978’s London Town was essentially carried by McCartney, wife Linda, and Denny Laine when other band members headed for the hills at the last minute. And while it doesn’t quite reach the masterpiece status of Band On The Run, London Town, until it peters out at the very end, abounds with such effortless geniality and tunefulness that it makes a strong case to be included among the Top 10 McCartney post-Beatles albums.
14. “Don’t Let It Bring You Down”- It gets lost somewhere between traditional folk and prog, and McCartney doesn’t really try hard enough with the lyrics here. Really the only time this album seems ponderous.
13. “Morse Moose And The Grey Goose”- Bizarre right down to the core, this track sounds like McCartney started trying to make some grand statement that got away with him. It’s too bad the last two songs on the disc are the weakest; sequencing (or maybe lack of editing is the better term) mars an otherwise excellent album.
12. “Backward Traveller”- It’s barely over a minute long, but it’s urgently engaging enough to make us wish that it were fleshed out to a full length.
11. “Deliver Your Children”- The minor-key whoosh, the finger-picked acoustic guitar a la “I’ve Just Seen A Face,” the solid harmonies from McCartney and Denny Laine, the refrains: All are fine. The lyrics start well but spin out of focus by the third verse, which keeps this one from quite meeting its potential.
10. “Name And Address”- Not much going on here beyond some rockabilly grooves and McCartney trying out his Elvis impression, which turns out to be not half-bad. The Stray Cats were listening.
9. “Cuff Link”- The light-saber synths are a nice contrast to the ominously funky rhythmic thrum, which, of course, is McCartney on bass and drums, which, of course, turns out to be all you need.
8. “I’ve Had Enough”- It has a very Wings-y feel to it, right? The fact that the song was recorded before Jimmy McCulloch and Joe English skedaddled probably accounts for that, but McCartney is still driving the bus with his feisty vocal.
7. “Cafe On The Left Bank”- The lyrics could have come off as twee, but McCartney’s decision to marry them to some of the toughest music on the disc erases any concerns. Some excellent lead guitar and clopping percussion keep this one vibrant and entertaining throughout.
6. “Famous Groupies”- Maybe not as sweetly appreciative as George Harrison’s “Apple Scruffs,” McCartney’s ode to rock hangers-on is still suitably awed at these sirens’ surprising powers over the musicians they enchant. Winking fun and, you guessed it, catchy.
5. “Children Children”- For my money, this is Denny Laine’s finest moment in Wings. He co-wrote the song with Macca, and you’d have to think Paul had a big hand in the song’s melodic charms, which are hopeful with a slight undertow of melancholy. Nonetheless Laine plays an engaging Pied Piper. Sweet without being cloying.
4. “Girlfriend”- McCartney’s efforts to craft a song for Michael Jackson led him to inadvertently test out his falsetto stylings, which turned out to be quite seductive in their own right; you can kind of understand why the titular character would be stepping out with this guy on the side. McCartney also adds the high-drama instrumental break (omitted by Jackson in his own take), which deepens what could have been just a fun but lightweight ditty.
3. “With A Little Luck”- One of the things critics of McCartney’s lyrics fail to recognize is just how adept he was at matching the words he chose to the the music he crafted. So while “With A Little Luck” might not seem like much on paper, the tentative optimism of the tune is perfectly captured by Paul’s simple declarations. Even the little-engine-that-could backing vocals at the end are right on point. What starts out as a humble tune, barely willing to poke its head out of the ground, becomes quite decisive and stirring.
2. “London Town”- The obviously antecedent here is “Penny Lane,” right down to the colorful characters and dignified brass. That the title track wakes up the echoes of such a formidable number is to its everlasting credit. It also sets a relaxed, benign tone for the rest of the album that turns out to be its calling card. Also, it seems redundant at this point in this particular Retro Review series to say that McCartney writes an enchanting melody, but, really, it’s a beauty. And the brief, rocking break shows there’s some spunk in the old city after all.
1.”I’m Carrying”- I have no idea what the narrator is carrying, nor do I know the occasion of this meeting with him and the girl in her room. But I do know that it is mesmerizingly romantic, thanks to the music behind the tale and the melody with which it is told. The delicately-picked guitar and the carefully-arranged strings form the airborne foundation, and the tune soars even above that with avian grace. In the final repeat of the refrain, you can hear McCartney start to let loose with some wordless “ooo-ooh” vocals, for even he is caught up in the sheer beauty of his creation. Who wouldn’t be?
(E-mail me at firstname.lastname@example.org or follow me on Twitter @JimBeviglia. For more on Macca’s “other” group, check out the link below to preorder my new book, Counting Down The Beatles: Their 100 Finest Songs, due out in March 2017. Below that is a link to my Amazon page, where you can check out all my Counting Down books and e-books.)