Recorded for the most part at the same time as predecessor Tug Of War and released by Paul McCartney just a year later, 1983’s Pipes Of Peace suffers by comparison to the earlier album. It’s hard to hear some of the songs and not think that they were leftovers. That said, it’s the more experimental album, as McCartney and producer George Martin attempted to keep listeners on their toes, not easy to do for an artist as ingrained in the culture. They occasionally succeed and occasionally overdo it, but the efforts are admirable. Here is a song-by-song review (ratings based on a five-star maximum):
11. “Tug Of Peace”- Attempting to provide a kind of link to the previous album, McCartney included this percussive, electronic quasi-instrumental that calls back to “Tug Of War.” Busy, but not that engaging in the end.
10. “Through Our Love”- The idea, I suppose, was that this would be the unifying, stirring ballad to wrap it all up. But it’s lyrically underwritten (lots of “true/you/do” rhymes) and lush enough to cause a toothache.
9. “The Man”- The arrangement is a little overbaked, helping to undercut some interesting ideas (the lyrics are a kind of cousin to “The Fool On The Hill”) and the combined charisma of McCartney and Micheal Jackson on the lesser of their two collaborations on the album.
8. “Average Person”- Some of the effects get a bit cloying on this track, one which would have been better served by just playing it close to the vest with the solid piano-driven rhythm. Maybe one too many musical ideas on this one, but McCartney’s energy and commitment keep it afloat.
7. “Sweetest Little Show”- On this track, some good-natured rockabilly gives way to a contemplative acoustic guitar part. This is one of the times on the album where the experimental bent helps lift what could have been a pedestrian track.
6. “Hey Hey”- A fiery instrumental co-written by jazz fusion legend Stanley Clarke. It kicks up more dust than anything else on the record.
5. “Pipes Of Peace”- The title track is quirky and melodic, even if it seems grafted together from the bones of other songs, including ELO’s “Fire On High,” The Beach Boys’ “Heroes And Villains,” and Macca’s own “C Moon” and “Let ‘Em In.” It always struck me as the set-up for a concept album that never materializes, but it’s heartfelt enough to register.
4. “The Other Me”- It’s not me; it’s me. That seems to be the argument leveled here by the guilty suitor portrayed by McCartney in this nice, if relatively inconsequential, little midtempo number. And, hey, haven’t we all acted like a “dustbin lid” from time to time?
3. “Keep Under Cover”- It has an effective, stomping groove that nicely counteracts the strings and really pops when it emerges from the dreamy opening. The lyrics mainly stay out of the way, but McCartney sings them fervently enough to make you think there’s more there than meets the ear.
2. “Say Say Say”- McCartney certainly got the better end of the bargain when it comes to his collaborations with Michael Jackson. Whereas Michael kept the limp “The Girl Is Mine” for Thriller (and, who remembers this, actually released it as the leadoff single,) Paul was able to include this pop-funk ripper (and “The Man”) for Pipes Of Peace. He wouldn’t always be so fortunate in his business dealings with the Gloved One, of course, but these were happier times between the two. Their ease together pours out of the speakers here.
1. “So Bad”- I’ve professed my affinity for Paul’s occasional falsetto soul testifying elsewhere in this series, and he really nails it in this one. I’ll also defend the lyrics, which may seem to some to be mindlessly simple. I would argue that complicating them would have distracted from that melody, as soft and mesmerizing as a leaf gently twisting in the wind as it falls to ground from on high. Should have been a bigger hit, if you ask me.
(E-mail me at email@example.com or follow me on Twitter @JimBeviglia. For more on Paul McCartney’s first band, check out the link below to preorder by new book, Counting Down The Beatles: Their 100 Finest Songs, which arrives in March.)