Bob Dylan Countdown #178: “Too Much Of Nothing”

Our first foray into the Basement Tapes brings us this dark brooder about the dangers of empty rewards. While Dylan allegedly mentioned King Lear as a possible inspiration here, it was likely his own experience that served as a muse. Don’t forget that, as he was recording this song, he was in the midst of a hiatus from the merry-go-round that brought him fame, money, and exhaustion, and that experience seems to inform his lyrics.

In the verses, he outlines the consequences for those who aren’t careful what they desire. False pride, ignorance and meanness are all possibilities. In the worst cases, it’s impossible to predict the outcome and utter chaos reigns (“Oh, when there’s too much of nothing/No one has control.”) That sounds like a man who has lived through it.

When we get to the chorus, it becomes clear that the narrator has already made his mistakes, stranded as he is now on the “waters of oblivion.” Coming on the heels of the crescendoing verses, the choruses, sweetened by Rick Danko and Richard Manuel’s otherworldly harmonies, release the tension somewhat. But it is a release that only comes after the ultimate fall.

What’s ironic is the definition of “nothing” that Dylan chooses to embrace here. His idyllic time with The Band in Woodstock was filled with little more than bucolic living and making music, far removed from the fame game. To his fans, that life might have seemed like a lot of nothing.

In fact, he was recuperating, physically and mentally, by leading a more fulfilling life than the past several years had provided. Dylan’s “Too Much Of Nothing” era actually occurred in his mid-1960’s whirlwind phase, when he had much given to him and even more expected from him. It’s that lifestyle that he rejects with extreme prejudice here.


2 Comments on “Bob Dylan Countdown #178: “Too Much Of Nothing””

  1. jan says:

    I don’t see why anyone would say Bob’s “Too Much of Nothing” era occurred when he was in his mid-60’s. There was always to much expected of him and not enough returned. The “voice of a generation.” Who would want to deal with that? From where I stood it was a generation of complete lunacy, surrounded by a whole lot of nothing.

    • countdownkid says:

      What I meant to say was his mid-1960’s phase, meaning the time when he was releasing album and touring the world non-stop. I amended the post to remove any confusion. Thanks for all the great comments.

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